Abstract:
Paradoxical metaphor, the co-occurrence of paradox and metaphor, constitutes an
unusual trope in the representation of mental processes of ailing characters in novels.
Existing studies on the representation of ailing characters in literature have focused
mainly on therapeutic uses of language and scriptotherapy. However, scant attention has
been devoted to literary tropes that foreground the mental processes of ailing characters
in Nigerian and American novels. This study was, therefore, designed to examine the
paradoxical metaphors in selected Nigerian and American novels. This was with a view
to assessing their impact on ailing characters and exploring the influence of sociological
backgrounds on characters’ use of paradoxical metaphors in reacting to their medical
condition.
Jacques Derrida’s Deconstruction and Sigmund Freud’s Psychoanalytic theories served
as the framework, while the interpretive design was used. Nigerian and American novels
were purposively selected based on the prevalence of depictions of mental processes of
ailing characters. Ten novels (five from each country) were purposively sampled for
their in-depth representations of paradoxical metaphors. The Nigerian novels were Jude
Idada’s Boom Boom (BB), Promise Ogochukwu’s Sorrow’s Joy (SJ), Samira Sanusi’s S
is for Survivor (SIFS), Maryam Awaisu’s Burning Bright (BuB) and Eric Omazu’s The
Last Requiem (TLR). The American novels were Lisa Genova’s Every Note Played
(ENP), Rachael Lippincott’s Five Feet Apart (FFA), Paul Kalanithi’s When Breath
Becomes Air (WBBA), Patrick Ness’ A Monster Calls (AMC) and Lisa Genova’s Still
Alice (SA). The texts were subjected to literary analysis.
Paradoxical metaphors of identity, pain, survival and death are identified in both
Nigerian and American novels. As characters dwell on these paradoxical metaphors,
they additionally suffer from all forms of depression (BB, SJ, SIFS, TLR, ENP, FFA,
WBBA and SA), guilt complex (BB), delirium (SJ, SIFS, TLR, WBBA and SA), suicidal
tendencies (SJ and SA), psychotic disorders (SJ and AMC), Cotard’s syndrome (TLR and
WBBA), hysteria (ENP), enosiophobia (ENP), paranoia (SJ, SIFS and TLR) and
schizophrenia (SJ). Characters who intentionally decide to stop noxious paradoxical
metaphors are portrayed (BB, BuB, SIFS, AMC and FFA). The existential survival of
characters depends on their significant others and their mental processes. The characters
find meaning in suffering by perceiving their experiences as punishment (SJ, SIFS, ENP
and AMC), sanctification (BuB), familial reconciliation (SJ, ENP, FFA, WBBA and SA),
curse (SJ and WBBA), discovery (BuB, TLR and AMC) and understanding death
(WBBA). Mental processes are constructed and reconstructed based on socio-cultural
experiences and the character’s level of enlightenment. Regardless of geographical
significance, the paradoxical metaphors represented are consistent with the characters’
educational backgrounds, depicting scientific educational enlightenment with regard to
medical realities (BB, SIFS, TLR, ENP, FFA, WBBA, AMC and SA). Subtle religious and
socio-cultural distinctions are also depicted (BuB and SJ).
Although all the selected novels depict paradoxical metaphors as hindering recovery and
management of ailing characters, Nigerian novels portray subtle socio-cultural
experiences, while American novels underpin scientific enlightenment.